Lenses, Women & Trauma

Cinema from Israel has been getting a lot more recognition globally – in terms of prestigious awards and academic courses revolving aroun...

A MOTHER’S SILENT AWAKENING

Shantanu Ray Chaudhuri looks at one of Jaya Bachchan’s most feted performances in a rare Hindi film, Hazaar Chaurasi Ki ...

Shishir Sharma: The Gentleman Actor!

Aparajita Krishna goes on a long walk on the cobbled path of art, theatre and acting with actor Shishir Sharma, whose repertoi...

When stories divide…

Humra Quraishi expresses her apprehensions about the divisive politics being played today and what is means for the India...

Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

The uphill struggle to adulthood

A critical analysis of Rima Das’s Bulbul Can Sing (2018) by Dipankar Sarkar.

With h...

Hijab: The divisive agenda 2022

Humra Quraishi looks closely at the systematic way in which the Right-wing groups are deepening divisions between the Hindu an...

Flight To Freedom

In his first letter to readers, Philosophy Coach, Consultant at Universal Enlightenment & Flourishing, Christophe Porot ex...

Shifting Paradigms: Malayalam Cinema

Malayalam Cinema has evolved through time, writes Sulochana Ram Mohan. To use a cliché change has been the only constant in Malayalam ci...