THOUGHT FACTORY: MOVIE MAGIC DEFEATS ONLINE NOISE

Rajinikanth’s Coolie: When Sheer Movie Magic Trumps Noise (and Logic)

Everyone want...

FESTIVALS: ARE THE NATIONAL AWARDS LOSING THEIR WAY?

Once upon a time the most glamorous, eagerly-awaited and coveted award was Filmfare founded in 1954, but today the National Awards’ credi...

BOLLYWOOD: TWO FILMS, TWO FLAWED JOURNEYS

War 2 and Tehran both promise high-octane entertainment and politically charged drama but falter under bloated storytelling, uneven execution, ...

ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION

Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...

BOLLYWOOD: 50 YEARS OF ‘SHOLAY’

Sholay is 50 on 15th August 2025 — a film that has stood the test of time like no other in Indian cinema. Monojit Lahiri...

BUSINESS: SAMEER NAIR’S MASTERSTROKE

In a bold leap into global fiction, Applause Entertainment acquires rights to six Jeffrey Archer bestsellers, reimagining them for the screen f...

KALEIDOSCOPE: KASHMIR CASTS ITS OLD SPELL

A nostalgic return to Kashmir becomes a vivid four-day journey across Srinagar, Gulmarg, and Pahalgam—through gardens, temples, lakes and...

ALTERNATIVE ENTERTAINMENT: ART & TRUTH IN MEMORY

Assamese filmmaker Amardeep Gogoi reflects on Collage, a quietly powerful debut rooted in memory, trauma, and resilie...

RETROSCOPE: WAQT CHANGED HINDI FILMS FOREVER

Sixty years since its release, Waqt remains a landmark of Hindi cinema, introducing the ensemble cast format and modernising the &lsqu...