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THOUGHT FACTORY: WHY CINEMA STILL MATTERS
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MOVIES: SUCH A FALL FROM GRACE
Khalid Mohamed, once a cheerleader of Mani Ratnam, is taken aback with Thug Life, the auteur’s fall from grace. “M...
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THOUGHT FACTORY: BOLLYWOOD GRAPPLES WITH DISABILITY
Portrayal of differently abled in Bollywood: Tokenism? Caricature? Empowerment? There are no easy answers because disability in Bollywood cinem...
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BOLLYWOOD: SARZAMEEN FAILS TO RISE
Sarzameen, posing as a political thriller, crumbles under recycled daddy-issue tropes and formulaic storytelling, wasting its stellar cast and ...
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BOLLYWOOD: REVIEW - TANVI THE GREAT
A heartfelt yet oversimplified tale of autism, Tanvi The Great delivers emotional highs but falters in depth, relying on sentiment ove...
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KALEIDOSCOPE: RAJESH KHANNA’S STAR STILL SHINES
On the 13th death anniversary of India’s first superstar, Gautam Chintamani revisits the enigma of Rajesh Khanna and the timeless relevan...
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FESTIVALS: FUTURE AND LEGACY OF INDIAN CINEMA
A Bold New Chapter: SCREEN Academy Fellowship Empowers Young Filmmakers. From nurturing emerging voices to restoring timeless ...
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ALTERNATIVE ENTERTAINMENT: THE HUNT - A HAUNTING MASTERPIECE
SonyLIV’s The Hunt reframes political storytelling with restraint and realism, offering a gripping, almost meditative investigat...
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TRENDING: A THOUSAND QUIET EXPLOSIONS OF CREATIVITY
From provocative fiction to powerful grassroots screenings and a festival of global cultures—meet the quiet revolutionaries reshaping Ind...
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RETROSCOPE: THIRTY YEARS AFTER...TIME FLIES
Khalid Mohamed revisits Bandit Queen (1994), Shekhar Kapur’s film on the dacoit leader Phoo...
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KALEIDOSCOPE: THE ONE-WAY SHIPS IS A STIRRING DEBUT
A powerful debut, The One-Way Ships unearths the forgotten voices of colonial India’s ayahs—young girls torn from home, na...
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