THE MITTI KI SONDHI KHUSBHOO SMELLS OF BLOOD

The tragic and horrifying details coming from Manipur remind Shabnam Hashmi about Gujarat 2002. Wasn’t it predictable th...

LOVE AND SURVIVAL IN THE WAR ZONE

Humra Quraishi observes the events over the last week and asks this question: Where’s the so-called development when ent...

WILL WE TRUST EACH OTHER AFTER THE WAR?

This week Humra  Quraishi looks back at her conversations with well-known sociologist Professor Imtiaz Ahmad, who passed ...

FOCUSED AGENDA: CRONYISM AND HINDUTVA

Satyabrata Ghosh surmises the 9-year-old government from the point of view of the citizens yet to experience the fruits of the...

ABOUT THE SONG OF SCORPIONS AND IRRFAN

Irrfan Khan’s only real home was cinema, says Anup Singh.

The story of The Song of ...

THE BURDERNED OF TRUTH ON SILENCE

I’m writing this column in the backdrop of the film, The Kerala Story. It is not just controversial, it can polarise and divide, writes <...

‘GOOD JOB NELIIMA!’

Aparajita Krishna has this power-packed conversation with Neliima Azeem - she calls her ‘a very consummate and individua...

RED, BLUE, GREEN, YELLOW, BLACK AND WHITE

In a social media world teeming with every banality that goes for poetry, Prerna Gill’s is a refreshing voice that does not pander to eas...

VANISHING WORDS

Today, Humra Quraishi talks about why she will pray namaz but will not celebrate Eid.

I&r...