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WHO’S TO BE BLAMED: THE FILM OR INDIAN AUDIENCES

Leher Sethi walks us through the many reasons why as a society we are to blame as much for the toxic misogyny and sexism in th...

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CLOSE TO THE GARDEN OF BROKEN SHADOWS

Humra Quraishi traces the events from 6th December 1992 to the recently concluded assembly elections, bring to fore...

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VERSE OF MOSAB ABU TOHA AND HUMAN RIGHTS

Humra Quraishi wants to know why The World Human Rights Day should be observed this year, and questions the intentions of the ...

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AUTUMN BLOSSOMS: OF MOTHERHOOD & OTHER RELATIONSHIPS

The 50 stories in this collection, divided into three sections, deal with woman protagonists coping with the vagaries of relationships with men...

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A WORLD SCARRED BY BULLETS

I realize that for over five weeks now I’ve commented only about Palestinians and the ground realities of Gaza, writes Humra...

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THE NEED OF THE HOUR: TUSHAR ARUN GANDHI

In this interview with Tushar Arun Gandhi, Vinta Nanda probes his mind to understand the dangers lying ahead and what are the ...

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THROUGH THE RADIANCE: AN EXHIBITION OF AMOL PALEKAR’S ART

Through the Radiance it is aptly called, because as you step into the exhibition at the Jehangir Art Gallery you are captivated by Amol Palekar...

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NO WATER, NO FOOD, NO MEDICINE, NO LIGHT

The World Health Organization (WHO) reports that the raging Israel-Hamas conflict completed a month on November 7th and more than 10,000 people...

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REFLECTING INDIA: AN ANALYSIS OF POPULAR SCRIPTED TELEVISION

An intersectional and longitudinal analysis of popular scripted television from 2018 to 2022, has been released by the Geena Davis Institute of...

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BOLLYWOOD TIK-TALK: BRIDGING GAPS AND SHAPING THE FUTURE OF STORYTELLING, AND MUCH MORE

Looks like this is the season of festivals, events and exciting things. From Karan Johar inaugurating Celebrate Cinema at WWI to Shilpa Shetty ...

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