BUSINESS: HOW INDIAN IS INDIAN ADVERTISING?

As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indi...

KALEIDOSCOPE: NOSTALGIA AND THE TRAIN TO TAIWAN

Sometimes a short story, sometimes a travelogue, this nostalgic journey aboard the Pushpak Express by Sharad Raj captures an u...

THOUGHT FACTORY: EULOGIES IN THE POST TRUTH ERA

Reflecting on the legacies of Shyam Benegal and Manmohan Singh: Sharad Raj navigates hyperbolic tributes, nuanced critiques, a...

ALTERNATIVE ENTERTAINMENT: MEMORIES OF A MRINAL SEN…WATCHER

On his 6th death anniversary on Dec 30th, Monojit Lahiri pays tribute to the memory of India’s globally acclaimed Parall...

ALTERNATIVE ENTERTAINMENT: TOPSHE FOREVER

On the fiftieth anniversary of Sonar Kella, Siddhartha Chatterjee Reflects on Topshe, Satyajit Ray, and Life Beyond Cinema in this int...

FESTIVALS: SHABANA AZMI AND VIDYA BALAN AT MAMI

In an unforgettable dialogue at MAMI Mumbai Film Festival 2024, Shabana Azmi and Vidya Balan explored acting, cinema, and the emotional intensi...

ALTERNATIVE ENTERTAINMENT: THE FILMMAKER, THE ETERNAL SEEKER

As it completes a 50-day run, Shantanu Ray Chaudhuri looks at Srijit Mukherji’s Padatik and how it stands out in the bar...

FESTIVALS: IMMORTALISING BIMAL ROY’S CINEMATIC LEGACY

Rinki Roy Bhattacharya discusses the inspiration behind the Bimal Roy Award, the challenges of preserving her father’s l...

ALTERNATIVE ENTERTAINMENT: STUDYING IN INDIA CHANGED MY ARTISTIC PERSPECTIVE

Tharindu Ramanayaka, an independent filmmaker from Colombo, Sri Lanka, has carved a niche for himself in the world of cinema with his unique s...

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