Of human bondage

Khalid Mohamed’s throwback to his encounter with social documentarist, Sebastio Salgado, whom he rates as the world&rsqu...

Signs of the time: The Trolley Times

No New Years greetings from me to you. There is little to celebrate, writes Humra Quraishi

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Pause for a cause

Khalid Mohamed thumbs up the cautionary Unpaused, checks out the complicated crime thriller and gives up on a dithering bid to take over  Casino: My G...

The outlier of French new wave: Claude Chabrol

In a career that spanned over five decades, Claude Chabrol (24 June 1930 - 12 Sep 2010) was one of the most prolific and widely respected of Fr...

The loneliness of an Indian (virgin) Bride

What are Indian wedding dreams made of? – a question Janaky Sreedharan answers as she views it through the lens of the r...

Rajeshwari: Queen of her roles

Aparajita Krishna zooms in on Rajeshwari Sachdev of a delicate, petite frame, who has a very commanding acting presence and rules the little ki...

Short-changed in life

Film historian, Dhruv Somani, recollects the tragic story of the charismatic star Priya Rajvansh, who if she were alive would ...

How To Protect Intellectual Property

For blockchain technology to take off in the management of IP design rights and copyrights, there would be a need to an agreed and internationa...

Ghost ghost na raha

Khalid Mohamed strives to sit patiently through the season’s supposed scarefest, Durgamati - the oddball series Bhaag Be...