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FIFTY YEARS AFTER GARM HAVA

Garm Hava (1974) is undoubtedly the best Indian film to capture the pain of Partition that swept the Indian subcontinent, writes O.P. Srivastav...

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RED, BLUE, GREEN, YELLOW, BLACK AND WHITE

In a social media world teeming with every banality that goes for poetry, Prerna Gill’s is a refreshing voice that does not pander to eas...

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THE WAVES OF FAITH

Humra Quraishi comments on the mindless destruction of libraries, literature and Indian history by the forces that are leaving...

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'Bust'ing many a myth: B 32 Muthal to 44 Vare (B 32 to 44)

Janaky Sreedharan asks, “How do we talk about a film that foregrounds the bust sizes of human beings ranging from B 32 t...

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A FERRIS WHEEL GOING AROUND

Humra  Quraishi questions the mindless lynching’s of Indian Muslims on mere suspicion of the carrying beef, althoug...

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FAIZ, SAHIR AND VERSE

Humra Quraishi revisits two of the best known poets of this  subcontinent, Faiz Ahmed Faiz and Sahir Ludhianvi.

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YET ANOTHER STORY BESIDES PATHAAN

Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale...

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WE ARE SISTERS BORN

Humra  Quraishi recalls important conversations, she has had over the years with various people, twenty-one years after t...

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CHINTOO SINGH WASIR: CENTERSTAGE AS SUFI SINGER & MUSICIAN

In the world of contemporary Indian music Chintoo Singh Wasir has emerged from being behind the instruments to centerstage with his Sufi music,...

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I WENT TO HIS HOUSE AND SAW…

Humra Quraishi revisits an interview with Captain Lakshmi Sahgal, who questioned the mindless development that takes place in ...

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