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THOUGHT FACTORY: RONA MANA HAI!!

Monojit Lahiri wonders whether, in an age when the price of everything is skyrocketing, the role, relevance and value of grief...

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THOUGHT FACTORY: THE MAN WHO LISTENS TO DOGS

Through the intertwined lives of Sugar, Peppy, and Missy, Ramesh Narayan discovers not just unconditional love—but a purpose: to honour t...

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BOLLYWOOD: REVIEW - TANVI THE GREAT

A heartfelt yet oversimplified tale of autism, Tanvi The Great delivers emotional highs but falters in depth, relying on sentiment ove...

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KALEIDOSCOPE: RAJESH KHANNA’S STAR STILL SHINES

On the 13th death anniversary of India’s first superstar, Gautam Chintamani revisits the enigma of Rajesh Khanna and the timeless relevan...

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TRENDING: PRIDE COMBATS PREJUDICE

Khalid Mohamed assesses a clutch of shorts and feature films on same-gender sexuality and transgender lives, released on strea...

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ALTERNATIVE ENTERTAINMENT: THE HUNT - A HAUNTING MASTERPIECE

SonyLIV’s The Hunt reframes political storytelling with restraint and realism, offering a gripping, almost meditative investigat...

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MOVIES: WHY THIS ADVENTURE FAILS

A scathing critique of Sonar Kellay Jawker Dhan by Shantanu Ray Chaudhuri, exploring how lack of imagination, poor ex...

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AI & TECH: KEEPING THE STORY ROOTS ALIVE

Immersive technology is revolutionizing storytelling, but without traditional foundations like theatre, music, and live performance, the evolut...

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RETROSCOPE: THIRTY YEARS AFTER...TIME FLIES

  Khalid Mohamed revisits Bandit Queen (1994), Shekhar Kapur’s film on the dacoit leader Phoo...

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KALEIDOSCOPE: THE ONE-WAY SHIPS IS A STIRRING DEBUT

A powerful debut, The One-Way Ships unearths the forgotten voices of colonial India’s ayahs—young girls torn from home, na...

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