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BOLLYWOOD: THE GIANT CALLED RAHUL RAWAIL

The box office failure of Dacait was perhaps the single biggest reason for Rahul Rawail to never be the same filmmaker again. He tried coming b...

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POLITICS: A WINTER OF DESPAIR WRITES SURANYA AIYAR

Humra Quraishi explains what it means to be a member of the minority community in these times and reproduces a part of what Su...

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TRENDING: IS APNA TIME AAGAYA HERE?

Monojit Lahiri focuses on this new movement triggered by OTT? relating to actors finally emerging from the tyrannical shadows ...

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ART HOUSE: THINKING ABOUT JAANE BHI DO YAARO

Jaane Bhi Do Yaaro (Just Let It Go, Friends) is a 1983 black comedy directed by Kundan Shah and produced by the NFDC. It is a satire on bureauc...

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THE ARCHIES, ANIMAL, SOCIAL MEDIA AND DUMBING DOWN

We have fallen in the great social media trap. It has used the power of algorithms and the internet and fooled us into believing that we are se...

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THE MADRAS MUSIC FESTIVAL: BREAKING OUT OF THE VIRTUAL

Much has been discoursed about this Margazhi festival, from its sustenance over a century, to its inadequacies in inclusivity and outreach, wri...

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REMEMBERING THE UNFORGETTABLE SMITA PATIL

Manojit Lahiri pays tribute to Shyam Benegal’s smoldering discovery, the only Asian cine-star who had the honor of a Ret...

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BEST INDIAN NEWS NETWORKS OF 2023: SUPRIYA SHRINATE

Amidst the rapid flow of information and the ever-evolving media landscape, the role of news networks has become pivotal in shaping public opin...

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FAR FROM HONEST, SAY VOTERS - DEMAND TRANSPARENCY

Humra  Quraishi comments on the dissatisfaction of Indian voters with EVMs and explains how transparency can be achieved ...

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TRIALS AND TRIBULATIONS OF MAKING ARTHOUSE CINEMA

In a free-flowing conversation with Shantanu Ray Chaudhuri, Suman Ghosh talks of dealing with the disappointment of Aadhaar, t...

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