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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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BOLLYWOOD: WHEN THE STAR MEETS A MEMORY
This one revisits Shah Rukh Khan’s early days through Monojit Lahiri’s recollection from 1989 — a time when ...
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FESTIVALS: WHEN CINEMA CREATES CHANGE
Inside the Impact Storytelling Masterclass at WIFF Mumbai 2025: At the Waterfront Indie Film Festival Mumbai 2025, filmmakers ...
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RETROSCOPE: MIRACLE AND ‘THE CURSE’ OF JAI SANTOSHI MAA
Khalid Mohamed looks back at 1975, the year of Sholay and the miraculous success of Jai Santoshi Maa and its aftermath — a cinematic cont...
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ALTERNATIVE ENTERTAINMENT: FETED ABROAD, FORGOTTEN AT HOME
When art-house brilliance wins global acclaim but faces neglect in its own country, it forces us to question the moral compass of our cinematic...
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BOLLYWOOD: ARYAN KHAN BREAKS BOLLYWOOD RULES
“I am in love with your wife (Maya)!” — a line from Kabhi Alvida Naa Kehna becomes the metaphorical cue for Aryan Khan’...
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TRENDING: THE VILLAIN INDIA NEVER GOT
On his 83rd birthday, Sharad Raj reflects on the cinematic journey of Amitabh Bachchan — the superstar of the last mille...
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BOLLYWOOD: EIGHTY THREE WOWS FOR THE BIG B!
On his 83rd birthday, Monojit Lahiri traces Amitabh Bachchan’s extraordinary evolution—from a shy, lanky Calcutta boy with an unmis...
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RETROSCOPE: MAN WITH THE GOLDEN GUITAR
Khalid Mohamed replays the life and oeuvre of Van Shipley, who was a formidable name once, but has never been acknowledged in ...
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THOUGHT FACTORY: FILMS. AUDIENCES. FILM CRITICS.
India, the world’s largest film-producing nation, thrives on cinema and media, yet its film critics remain undervalued. Monojit Lahiri investigates t...
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ALTERNATIVE ENTERTAINMENT: NO MAN’S LAND
Bimal Roy’s timeless displacement saga screened at Venice: As a new 4K restoration of Bimal Roy’s Do Bigha Zamin is screened at Ven...
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