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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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Search ResultALTERNATIVE ENTERTAINMENT: RIEFENSTAHL REFLECTS MODERN PROPAGANDA
The documentary ‘Riefenstahl’ forces us to confront the haunting intersection of media, propaganda, and complicity in shaping autho...
Read MoreFESTIVALS: CELEBRATING EXCELLENCE AT MAMI 2024
The 2024 MAMI Mumbai Film Festival showcased a dynamic mix of cinema, recognizing boundary-pushing filmmakers, influential short films, and the...
Read MoreFESTIVALS: MAMI BEGINS WITH A SPECTACULAR OPENING
A Stellar Opening: Cannes-Winning Film All We Imagine as Light and Bollywood Icons Illuminate MAMI Mumbai Film Festival 2024. The
FESTIVALS: THE KHUSHWANT SINGH LITERARY FESTIVAL OF KASAULI
I had a conversation with Rahul Singh, to know the significance of the Khushwant Singh Literary Festival, writes Vinta Nanda. ...
Read MorePOLITICS: COMMUNAL DIVIDES URGENTLY CALL FOR UNITY
Political rhetoric and divisive tactics are exacerbating India's communal tensions and impacting daily life. Let’s find out how history, ...
Read MorePOLITICS: REFUGE, REVERENCE, AND REFLECTION
From Sufis seeking solace in Kashmir to the tragic genius of Guru Dutt, and the controversial escape of Bhole Baba—Humra Quraishi...
Read MoreBOLLYWOOD: FROM STAGE TO SCREEN AND OTHER MEDIUMS
Monojit Lahiri explores the complexities, highlighting the nuanced distinctions and unique challenges actors face when moving ...
Read MoreALTERNATIVE ENTERTAINMENT: 50 YEARS OF GARM HAWA
On Balraj Sahni’s birth anniversary, Shantanu Ray Chaudhuri looks at the lasting legacy of Garm Hawa, which celebrates i...
Read MoreALTERNATIVE ENTERTAINMENT: LOOKING FOR THE MAHANAYAK
Srijit Mukherji’s Oti Uttam is a film hard to dislike. And no, it’s not just Uttam Kumar who is responsible for that, writes
BOLLYWOOD: CHORI MERA KAAM OR CHOR-EO-GRAPHY
Monojit Lahiri investigates Bollywood’s skilled art of plagiarism down the decades without batting an eyelid and of cour...
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