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Brush with controversy

Khalid Mohamed recalls the needless controversy stirred up by a M.F.Husain artwork of Lord Ganesha, although his canvases, lim...

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Those Courtesan Days

Film historian Dhruv Somani, writes on the near-extinct genre of Bollywood films, which took you into the kothas and durbars o...

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Vyjayantimala: At the confluence of politics, gender and art

Humra  Quraishi recalls a meeting with Vyjayantimala Bali and shares excerpts from an interview she did with her way back...

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Vanished III: The male actors who disappeared from Bollywood

Film historian, Dhruv Somani, concludes his series on t...

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The Guru: Gautam Rajadhyaksha (1950-2011)

Khalid Mohamed writes on the imperishable legacy of the pioneering photographer of celebrity portraits.

Snake Bites: Bollywood’s Naagins

Film historian Dhruv Somani takes stock of the Naagin and Naag movies, which have crowded the Bollywood repertoire for decades...

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Abandoned

Bollywood’s shelved extravaganzas! Film historian Dhruv Somani zooms in on eight big Bollywood movies, which on facing hiccups, couldn&rs...

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Scream!

Dhruv Somani, author of a set of four books A Touch of Evil, selects five horror flicks, which unwittingly went through the crrrrreaky cracks.<...

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Saluting Akbar Padamsee, an artist and a beautiful mind

It was with a tentative sense of bravado that I had approached Akbar Padamsee, supremo artist, for the use of one of his brilliant metascapes &...

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Father Of The Groom

Makrand Deshpande’s new play Pitaji Please—should count among his best so far—deals with parental anxiety caused by an offspr...

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