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The Oscar Rosters 2022 - A Post Hoc Analysis

A detailed, spoiler free analysis of Oscar nominees and winners, with commendations on why some won, and regrets on why some didn’t, by <...

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Music Knows No Caste

After garnering critical acclaim and winning the FIPRESCI Award at the Bangladesh International Film Festival 2022, Bangladeshi filmmaker Shabn...

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KAMLESH PANDEY: Ballia to Bollywood via Ishtihaarpur

Aparajita Krishna goes with adman, writer Kamlesh Pandey on a long walk through his life and career, bringing back beautiful m...

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Reflections of a Soumitra-watcher

As the late, legendary Soumitra Chatterjee’s birthday moved in and out of focus, Monojit Lahiri pays homage to the remar...

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Making films is my coping mechanism: Shabnam Sukhdev

Here’s Vinta Nanda in conversation with documentary filmmaker Shabnam Sukhdev, who just completed her short film titled ...

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Of egoistic Indian men and Mulk Raj Anand

Humra Quraishi remembers Mulk Raj Anand on his birth anniversary and what he had said about Indian men consumed by superiority...

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DILIP KUMAR: THE BIG BURGLAR

Dilip Kumar burgles his way into the performance of every Indian actor of substance whether the actor likes it or not, writes Kamlesh P...

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A genius having mastered many arts: Satyajit Ray

Humra Quraishi revisits the auteur Satyajit Ray’s life on the eve of his hundredth birth anniversary

Avijatrik: The Wanderlust of Apu

It is to the credit of Subhrajit Mitra and his creative and technical team that Avijatrik manages to trace its own path, writes Shantan...

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Hope Factory: Business Ideas For Everyone

Vinta Nanda chats with Tarun Agarwal, author of Hope Factory: Business Ideas For Everyone, about his latest book and other thi...

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