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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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AAKHRI RIDE: MUMBAI AFTER DARK
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Search ResultRETROSCOPE: THIRTY YEARS AFTER...TIME FLIES
Khalid Mohamed revisits Bandit Queen (1994), Shekhar Kapur’s film on the dacoit leader Phoo...
Read MoreTHOUGHT FACTORY: RECLAIMING SHOORPANAKHA, REWRITING EPIC SILENCE
What becomes of a mutilated woman? In her solo piece Shoorpanakha: A Search, Parshathy J Nath reclaims a silenced voi...
Read MoreKALEIDOSCOPE: BRIDGES BUILT THROUGH LITERARY DIALOGUE
The Khushwant Singh Literary Festival debuts in Oxford, uniting voices from India and the UK in a celebration of literature, heritage, ecology,...
Read MoreGENDER: ALL ABOUT THE PATRIARCHAL PUSHBACK
A double-edged narrative: how the Sonam-Raja murder and Deepika Padukone's casting row reveal media bias, caste patriarchy, and the urgent need...
Read MoreALTERNATIVE ENTERTAINMENT: THROUGH A MASTER’S LENS
Khalid Mohamed in conversation with the celebrated lensman, Rafique Sayed, on the vital essence of photograph...
Read MorePOWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY
Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N...
Read MoreBOLLYWOOD: HOW TO ACHIEVE THE IMPOSSIBLE DREAM
A candid, contemplative journey through the life of Anil Kapoor — actor, father, eternal learner — revealing reinvention, and the r...
Read MorePOWERFUL PEOPLE: IN THE NAME OF THE FATHER
From Ajmer to artificial intelligence, Kamal Swaroop’s cinematic odyssey spans surreal visions, forgotten histories, and radical pedagogy...
Read MoreBOLLYWOOD: SOME STORIES STAY BURIED
Why a sequel to Zubeidaa can never be made: because truth, memory, and myth blur irreversibly when royalty, cinema, and unresolved grief intert...
Read MoreALTERNATIVE ENTERTAINMENT: THE GENTLE GENIUS
Cinema, at its purest and most soul-stirring, found a devoted servant in Shaji N. Karun. Khalid Mohamed bids farewell to the g...
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