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Over my dead body

Aroona Bhat decodes the last breath; the many times people inhale and exhale before they take it. She figures, that life&rsquo...

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KASHISH 2020 Virtual: French film The Shiny Shrimps

157 films from 42 films to screen at the 11th edition of KASHISH Mumbai International Queer Film Festival to b...

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Undekhi: Plain Vanilla, Distasteful Hype

Dr Sandeep Goyal says that SonyLiv's latest thriller offering Undekhi, has landed itself in an unenviable soup of its own maki...

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A Dream Run for Kalyani

Janaky Sreedharan writes about J.Geetha’s debut venture Run Kalyani, which is set to be the opening film at the New York...

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Shibu Natesan: Doing it my way

Khalid Mohamed interviews the eminent artist Shibu Natesan, who has varied from images of political protest to nature studies,...

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The Guru: Gautam Rajadhyaksha (1950-2011)

Khalid Mohamed writes on the imperishable legacy of the pioneering photographer of celebrity portraits.

Status Single & Lockdown Part II

Sreemoyee Piu Kundu says, due to the Covid-19 lockdown, many women are walking the tightrope of working at home and also worki...

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Vanishing Act: Bollywood actresses who quit the scene suddenly

Film historian Dhruv Somani writes on the 10 actresses who just upped and shunned the limelight.

Shot by Shot: Politics of photography

Young photographer Vatsal Shah writes on the obstacles ...

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Anwesha Arya: The Miracle Woman

In times when many of Bollywood boys and girls are under the scanner, Vinta Nanda interviews Anwesha Arya &nd...

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