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A look at Janani's Juliet

Pankaj Rishi Kumar’s documentary film was India’s official entry to the Academy Awards. It tackles socio-political realities throug...

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The Unending Tragedy

Humra Quraishi views the conditions prevailing for the convicted and undertrials in Kashmir through the lens of writings about...

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All you wanted to know about Omicron

The new variant of concern: Omicron has assumed the status of The Global ‘Scariant’ of Concern, bec...

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Shakespeare in Bollywood

Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...

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Sardar Udham: The Shadow Man

Satyabrata Ghosh explains why the film Sardar Udham should be watched to fathom what undying love for one’s own country ...

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What Bollywood can learn from Hollywood

Monojit Lahiri does a hard close-up at the changing attitudes of Hollywood stars toward Indie films and proposes that Bollywoo...

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Evening Shadows wins at Yatha Katha film festival

Sridhar Rangayan’s Gulabi Aaina and Evening Shadows to screen at Hyderabad Queer Film Festival

Sridhar Rangayan’s feature film Evening ...

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A SLICE OF BENGAL IN TELANGANA

The recently concluded 4th edition of the Telangana Bengali Film Festival brought to the limelight exciting new talent. Shantanu Ray Ch...

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Double standards… all the way!

Humra Quraishi goes over the many events of recent past in which it is getting clearer by the day that the discrimination agai...

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A Faust for Bangladesh

Farrukh Dhondy at his best as he recounts the attempt he once made to adapt Goethe’s Faust for the Bangladeshi screen. Read More