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The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

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Against All Odds

Film historian Dhruv Somani, tracks the once super-succ...

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Three Colours: Red - A celluloid poem

Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts ...

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The Pros and Cons of Online Exams

This year too many exams are being conducted online. Educationists talk to Monarose Sheila Pereira about the pros and cons of ...

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Usha Ganguly: A Curtain-Call

Aparajita Krishna walks you through the rich life of theatre stalwart Usha Ganguly, through Om Pareek’s experience of ha...

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Hitchcock’s Shadow

Khalid Mohamed writes on the influence of the Master of Suspense on Bollywood movies, which was infinitely preferable to blood...

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Hope and the horizon

Dr. Kishore Madhwani updates the facts on the COVID virus and asserts the need to stay calm while under the pressure.

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Of Dev Anand’s James Bond-like adventure

Film historian Dhruv Somani, zeroes in on The Evil Within, the little-seen crime thriller, which had marked the evergreen star...

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Rediscovering a Genius Artist

Khalid Mohamed in conversation with Patrick Bensard, director of the prestigious Cinematheque de la Danse of Paris, now docume...

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Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

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