ABOUT THE SONG OF SCORPIONS AND IRRFAN

Irrfan Khan’s only real home was cinema, says Anup Singh.

The story of The Song of ...

TOPS GLOBALLY. FLOPS LOCALLY.

Monojit Lahiri explores why films, which receive acclaim at International film festivals are unable to convert their critical ...

THE POLITICAL GAMECHANGER

Satyabrata Ghosh analyses the politics of the day, and arrives at conclusions, which opposition parties must adhere to if they...

NOT ABOUT SWASH-BUCKLING AND SWORD-SWINGING HEROES

Here’s an interview of Dr Shoma A. Chatterji, about her latest book ‘Through the Lens, Brightly: Women in Cinema, Women at Work&rsq...

THE AFTERMATH WILL OUTLIVE US

Humra Quraishi gives us the details of how many of the members of parliament in the present have cases against them of dacoity...

'Bust'ing many a myth: B 32 Muthal to 44 Vare (B 32 to 44)

Janaky Sreedharan asks, “How do we talk about a film that foregrounds the bust sizes of human beings ranging from B 32 t...

DEMOCRACY AND DISSENT

Taking off from Vinod Pande’s latest piece from his YouTube series, ‘Off the Cuff, in which he talks about Rahul Gandhi, Humra Qura...

XBB1.16 VARIANT– THE NEW SUPER SPREADER

Dr Kishore P Madhwani writes: India, in spite of  acquiring a high coverage of primary COVID vaccination (97%) and its second dose (90%), the precauti...

ARUNDHATI GANORKAR: IN BEAUTIFUL REFLECTION!

Aparajita Krishna has a past with Arundhati Ganorkar, they worked on a series, and together, they walk down memory lane to bri...