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FILM CRITICS – WHO’S DOING WHAT FOR WHOM…& WHY?

Monojit Lahiri investigates into what the Film Critics are doing, what are they writing about, who are they writing for and wh...

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RAJ KAPOOR AND MY SON

Raj Kapoor’s 99th birth anniversary was on the 14th December. Kamlesh Pandey recalls the influence...

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MAHUA MOITRA KO GUSSA KYON AATA HAI?

When talking about Mahua Moitra’s expulsion from the Indian parliament, the question that haunts is, what are the rules, writes V...

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TRIALS AND TRIBULATIONS OF MAKING ARTHOUSE CINEMA

In a free-flowing conversation with Shantanu Ray Chaudhuri, Suman Ghosh talks of dealing with the disappointment of Aadhaar, t...

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TIGHTROPE WALK FOR JOURNALISTS IN THE MAINSTREAM

Here, taking off from a few discussions at the Orange City Literature Festival she attended, Vinta Nanda looks at ‘ethic...

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YOU LOVE CINEMA SO RANJAN DAS RECOMMENDS

From Highway Dragnet to a Michael Hanake film, an American Indie, Kasargold and Night Moves, check out what Ranjan Das recommends for you to see this weeke...

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BOLLYWOOD TIK-TALK: IS SHE KAT OR COPY KAT?

Salman Khan has the answer to whether she’s Kat or a Copy Kat! And more news from The Daily Eye #Newsdesk this week!

Katrina Kaif Ste...

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UNDERSTANDING THE BUSINESS OF HANDCRAFTED TEXTILES OF INDIA

Vinta Nanda has this fascinating conversation with author and chronicler Savitha Suri about Khadi, the name, which belongs to ...

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EMBRACING THE RADIANCE: DIWALI’S ILLUMINATION OF INCLUSIVITY AND LIBERAL VALUES

In the kaleidoscope of cultural celebrations, Diwali stands out as a beacon of light, unity, and diversity, reports The Daily Eye #News...

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REFLECTING INDIA: AN ANALYSIS OF POPULAR SCRIPTED TELEVISION

An intersectional and longitudinal analysis of popular scripted television from 2018 to 2022, has been released by the Geena Davis Institute of...

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