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Woh Sadhana thi

The cine-young living in the 60-year-old that I am, refuses to abandon my lingering fascination for actress Sadhana, writes Aparajita K...

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Avijatrik: The Wanderlust of Apu

It is to the credit of Subhrajit Mitra and his creative and technical team that Avijatrik manages to trace its own path, writes Shantan...

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Writing with fire: Khabar Lahariya

India's All-Female News Outlet Battles Sexism, Caste - And Hits The Silver Screen – NPRs Sushmita Pathak interviews Meer...

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The Unforgettable One

On her 72nd birth anniversary, film historian Dhruv Somani, looks back with affection at the most impactful films of Parveen B...

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Oh, those snakes and ladders

Khalid Mohamed reviews the politics-as-usual drama Madam Chief Minister, is brain-boggled by Qubool Hai 2.0 and finds sol...

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Days of the future past: Subhashini Ali

Subhashini Ali recalls a time when she saw the role of the police and administration with clarity and how she was convinced of...

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Hiralal: A rare biopic on a pioneer of Indian cinema

The fascinating life of Hiralal Sen probably needed more visual flair, writes Shantanu Ray Chaudhuri

#MeToo: Has the movement slipped through the cracks?

Vinta Nanda wonders if the #MeToo movement changed anything for women who wanted to speak against sexual harassment.   Read More

Gup-shup with GoPu

Noted academic, playwright, writer Govind P Deshpande (2nd August 1938 – 16th October 2013) was be...

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The Good Story And The Bad Story

Vinta Nanda reflects on discussions surrounding the OTT guidelines announced by the government of India