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No Coincidence No Fiction: The Urban Mela

Ranjit Rodricks writes that the loot that’s taking place in broad daylight today, is just like a Mela in a faraway villa...

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Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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Of Borders and Boundaries

In a short conversation with Selina Sheth, the Indian-born writer-director Vikram Zutshi, talks of his need t...

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Little Wonders: The Vanishing Child Stars

Film historian, Dhruv Somani, writes on Bollywood’s little wonders whose fame faded on turning adults.

Status Single & Lockdown Part II

Sreemoyee Piu Kundu says, due to the Covid-19 lockdown, many women are walking the tightrope of working at home and also worki...

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Anwesha Arya: The Miracle Woman

In times when many of Bollywood boys and girls are under the scanner, Vinta Nanda interviews Anwesha Arya &nd...

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An Interlude

Sathya Saran talks about her journey when writing on Pandit Hariprasad Chaurasia and she shares an excerpt from the book she h...

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Re-Engineering Culture: Majha House

Preeti Gill, founder of Majha House in Amritsar, tells about the place, which asserts Punjab’s rich history of performance, literature an...

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Back to Basics: Political Organizations in India

In progress and evolution, few basics always remain fundamental to any system or organization. But it so happens that advancement of thought le...

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Sweden is Country in Focus at KASHISH 2019, South Asia’s largest LGBTQ film festival

KASHISH 2019 to screen 9 Swedish LGBTQ films and also launch music album ‘Rainbow Riots India’