WHO KILLED MOHAMMAD IQBAL?

Humra  Quraishi laments the blatant targeting of everything termed un-Hindu by the present government and the systematic ...

ABOUT THE SONG OF SCORPIONS AND IRRFAN

Irrfan Khan’s only real home was cinema, says Anup Singh.

The story of The Song of ...

SHAKESPEARE & BOLLYWOOD – JAB THEY MET!!

Manojit Lahiri takes you on a fascinating journey where hamlet and omelet often clash!

Ch...

YET ANOTHER STORY BESIDES PATHAAN

Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale...

CHINTOO SINGH WASIR: CENTERSTAGE AS SUFI SINGER & MUSICIAN

In the world of contemporary Indian music Chintoo Singh Wasir has emerged from being behind the instruments to centerstage with his Sufi music,...

THE CALM BEFORE THE STORM

Humra Quraishi talks about the apprehension that clouds not just the largest minority community, the Muslims, but also the cit...

Decoding the chemistry: Uttam-Suchitra

Satyabrata Ghosh discusses the symbioses between the people at the two ends of the camera during the filming and after it, whi...

Two-in-one

Film historian Dhruv Somani tracks the double-pronged career of Feroz Khan, as an actor and director of tremendous s...

Bengali Cinema: A Middle Way to Tread

Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been of...