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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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CHEF VINITA GHATGE ON REINVENTION
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Search ResultFESTIVALS: BEST FILMS FROM SOUTH ASIA ONLINE NOW!
The 13th edition of South Asian Film Festival Montreal is online now. The online festival started on 27th May 2024 and wi...
Read MorePOLITICS: WHY INDIA MUST QUESTION A DECADE OF FAILED LEADERSHIP
"Why should the people of India continue to vote for a politics that, after ten years in power, has left citizens despairing for basic needs an...
Read MoreALTERNATIVE ENTERTAINMENT: THE RISK TAKERS BY SIDDHESH PANDEY
Siddhesh Pandey’s poignant exploration of Mumbai’s unsung heroes is heartening and life-affirming, reports Vinta Nanda. &ld...
Read MoreALTERNATIVE ENTERTAINMENT: LOOKING FOR THE MAHANAYAK
Srijit Mukherji’s Oti Uttam is a film hard to dislike. And no, it’s not just Uttam Kumar who is responsible for that, writes
POLITICS: REGRESSIVE ACTIONS IN THE MODERN WORLD
Humra Quraishi comments on reports coming in of the centre awarding Sainik School agreements to educational institutions assoc...
Read MoreTHOUGHT FACTORY: THE NSD AGENDA – SOUL–STRIP…OR DRAMABAZI?
Monojit Lahiri does an interview-based close-up of the contentious issue of training and investigates if it helped actors brea...
Read MoreTRENDING: MEET THE CAST AND CREW OF FARIDA
Meet the cast and the crew of the new play FARIDA, directed and written by Nadira Zaheer Babbar for Ekjute Theatre Group. It opens at Prithvi T...
Read MorePOWERFUL PEOPLE: INFINITE GENIUS, BOUNDLESS THEATRE
Nadira Zaheer Babbar inhabits the same universe where I met her in 1984. Today, she is as intense and powerful as a thousand times more, and it...
Read MoreAI & TECHNOLOGY: THE STAKES ARE HIGH, TECH IS HIGHER





AI for climate change is not a silver bullet, it’s a game-changer. It offers a powerful toolkit to mitigate the crisis, but it’s up...
Read MoreBOLLYWOOD: THE GIANT CALLED RAHUL RAWAIL
The box office failure of Dacait was perhaps the single biggest reason for Rahul Rawail to never be the same filmmaker again. He tried coming b...
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