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BOLLYWOOD: AKSHAYE KHANNA, ECHOES OF BRANDO

Monojit Lahiri investigates how Akshaye Khanna’s fiercely private stardom, selective choices, artistic ...

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FESTIVALS: YEAR-END REFLECTION ON FESTIVALS IN INDIA

A year-end reflection on how festivals became classrooms, archives, shelters and movements—through writings by Utpal Datta, Vinta...

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BOLLYWOOD: MEMORY, MEANING AND THE MOVING IMAGE

A year-end reflection on Hindi cinema through The Daily Eye’s seasoned critics—where nostalgia met urgency, specta...

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KALEIDOSCOPE 2025: WINDOWS INTO A PLURAL IMAGINATION

Across cinema, literature, art, theatre, reportage, pedagogy, and memory, Kaleidoscope 2025 charted The Daily Eye’s comm...

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MOVIES: WHEN MEMORY BECOMES A COMPANION

When Memory Becomes a Companion is Utpal Datta’s meditative reading o...

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THOUGHT FACTORY: A SILENCE THAT SHOUTS

An incisive reflection by Sohaila Kapur on speech and silence, moving from personal memory to cultural critique, revealing how...

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ALTERNATIVE ENTERTAINMENT: DOING IT MY WAY

Lately, it’s been raining awards and accolades on the path-breaking multi-media achiever. And she has preserved a child-like persona, ope...

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BOLLYWOOD: DHARAM–NARAM & HIS BENGALI CONNECT

It was his 90th birthday on the 8th December 2025, and Monojit Lahiri takes a couple of minutes to reveal a little known fact ...

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ALTERNATIVE ENTERTAINMENT: OF THAT HUMAN FACTOR

Currently, the boom in Artificial Intelligence has been viewed with mounting dread or embraced warmly as a technological revolution in image-ma...

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RETROSCOPE: FLASHBACKING WITH....CHAUDVIN KA CHAND!!

Monojit Lahiri met up with the still-gorgeous Waheeda Rehman at her sea-front flat in Bandra’s Bandstand in Mumbai aroun...

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