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THE MADRAS MUSIC FESTIVAL: BREAKING OUT OF THE VIRTUAL

Much has been discoursed about this Margazhi festival, from its sustenance over a century, to its inadequacies in inclusivity and outreach, wri...

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MY LIST OF THE MOST POWERFUL PEOPLE OF 2023: VINTA NANDA

In a world dominated by mainstream narratives and established structures, the celebration of independent art, business, social work, and litera...

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THESE CHAMPIONS OF A MODERN INDIA INSPIRED ME IN 2023: RADHIKA KHERA

I, Radhika Khera, will unveil India's modern visionaries, who advocate day after day and against all odds, for the nation that was imagined by ...

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FILM CRITICS – WHO’S DOING WHAT FOR WHOM…& WHY?

Monojit Lahiri investigates into what the Film Critics are doing, what are they writing about, who are they writing for and wh...

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RAJ KAPOOR AND MY SON

Raj Kapoor’s 99th birth anniversary was on the 14th December. Kamlesh Pandey recalls the influence...

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MAHUA MOITRA KO GUSSA KYON AATA HAI?

When talking about Mahua Moitra’s expulsion from the Indian parliament, the question that haunts is, what are the rules, writes V...

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TRIALS AND TRIBULATIONS OF MAKING ARTHOUSE CINEMA

In a free-flowing conversation with Shantanu Ray Chaudhuri, Suman Ghosh talks of dealing with the disappointment of Aadhaar, t...

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TIGHTROPE WALK FOR JOURNALISTS IN THE MAINSTREAM

Here, taking off from a few discussions at the Orange City Literature Festival she attended, Vinta Nanda looks at ‘ethic...

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YOU LOVE CINEMA SO RANJAN DAS RECOMMENDS

From Highway Dragnet to a Michael Hanake film, an American Indie, Kasargold and Night Moves, check out what Ranjan Das recommends for you to see this weeke...

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BOLLYWOOD TIK-TALK: IS SHE KAT OR COPY KAT?

Salman Khan has the answer to whether she’s Kat or a Copy Kat! And more news from The Daily Eye #Newsdesk this week!

Katrina Kaif Ste...

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