Jhappi-pappi and all

Farrukh Dhondy recalls the Bhartiya Janta Party’s election victory of 2014, which he watched unfold on television when h...

A mutiny or a plea for independence

As discussions continue, Farrukh Dhondy remembers writing a script for Ketan Mehta - Rani of Jhansi, which was hijacked of cou...

Signs of the time: For God’s Sake, Be Human!

This week Humra Quraishi questions politicians and lays out bare facts – about human rights and political mischief that ...

Hrid Majhare: The Bard’s Official ‘Debut’ in Bengali Cinema

In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Ranjan Ghosh’s adaptation of Shakespe...

The Hazards of Adaptation: Chimamanda Ngozi Adichie

Ranjan Das focuses on the challenges that confront filmmakers when adapting vast and expansive authored works, by placing Half...

The Art of Ramkinkar Baij

Modern Indian sculpture as we know it began with Ramkinkar Baij. Shantanu Ray Chaudhuri looks at the works and legacy of a pio...

Signs of the times: The Needle of Suspicion

Humra Quraishi explores what causes the chasm between the Hindus and Muslims to widen in India...

The Manipur Man: Bijoykumar Tayenjam

Bijoykumar Tayenjam is an author, a poet and a civil engineer in Imphal, Manipur, writes Vinta Nanda

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Silence: The language of God

A piece of appreciation of Martin Scorsese’s 2016 epic historical drama Silence, by Berges Santok

&n...