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That Poisonous Bite

Khalid Mohamed reviews the BBC-commissioned series The Serpent on Charles Sobhraj, approves he...

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Climates: A metaphor for changing human behavior

Since the time of Ataturk, Turkey has been home to westernized intellectuals, writes Sharad Raj ...

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Oh, those snakes and ladders

Khalid Mohamed reviews the politics-as-usual drama Madam Chief Minister, is brain-boggled by Qubool Hai 2.0 and finds sol...

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The peerless entertainer

Film historian Dhruv Somani, pays tribute to Nasir Hussain, wizard of the undervalued romantic musicals of Bollywood.

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India flattens curve, but precautions are a must

Dr. Kishore Madhwani writes on the flattening of the COVID-19 graph in India, and emphasises that COVID Appropriate Behaviour ...

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So long, farewell, it’s hard to say goodbye…

I’m a writer, but I am at a complete loss of words when expressing the pain I’m feeling after losing my best friend Rajiv Kapoor, w...

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The Austere Ascetic

Sharad Raj visits the 1983 French film L’Argent (Money) and deconstructs the genius of the filmmaker Robert Bresson.&...

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Such a wonderful journey!!

Film historian Dhruv Somani, a self-confessed admirer o...

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Takes tea to tango

A photo-essay by Ashis Ghatak on his tea-tasting spree ...

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Fast and Furious: Varun Inamdar

A secret I have to reveal, if I must go forward with this interview with Varun Inamdar, is that my bedtime stor...

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