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Search ResultWHEN INDEPENDENT FILMS FIND THEIR AUDIENCE





From festival screenings to public platforms, WIFF Mumbai celebrates a defining moment as its films travel wider. Vinta Nanda reflects ...
Read MoreHOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION
When marketing noise replaces footfalls and perception trumps participation, Indian cinema risks hollowing itself out. The growing gap between ...
Read MoreECHOES ON PAPER: CRAFT, MEMORY, CONTINUUM
Bridging nineteenth-century devotion and contemporary philosophy, this exhibition traces the enduring continuum of printmaking—where pape...
Read MoreWHY ARCHIVING CINEMA MATTERS: NEVILLE TULI
A wide-ranging conversation on archives, cinema, and cultural consciousness, where interviewer Vinta Nanda engages Nev...
Read MoreGENDER: CHAI AND LOVE MEET ON STAGE
In this intimate column, Vinta Nanda writes about The Chai Queens, its emotional homecoming to Mumbai, and how theatr...
Read MorePOWERFUL PEOPLE: A BEAUTIFUL MIND
Veenapani Chawla’s chance encounter with Naseeruddin Shah culminated in the birth of the Adishakti Laboratory for Theatr...
Read MoreTHOUGHT FACTORY: LISTENING IS THE NEW LOOKING
For years, we were trained to look, writes Vinta Nanda. Now, we are learning to listen—attentively, and without interrup...
Read MoreBOLLYWOOD: TRIUMPH THAT OUTLIVES THE WAR
A reflective, humanist reading of Sriram Raghavan’s Ikkis, Arnab Banerjee examines war beyond valor, locating memory, gr...
Read MorePOWERFUL PEOPLE 2025: THOSE WHO REFUSED THE EASY ANSWER
Power, in 2025, did not always announce itself loudly, nor did it seek instant legitimacy. Across cinema, poetry, activism, pe...
Read MoreTHOUGHT FACTORY: THINKING SLOWLY IN NOISY TIMES
A year-end reflection on The Daily Eye’s Thought Factory, where writers interrogated art, power, cinema, gender,...
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