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Ballavpurer Roopkatha: A Director In-charge

Satyabrata Ghosh distinguishes between an assembly line process aimed to gain eyeballs from that, which enables cinema to rema...

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Suspense Classic

Film historian Dhruv Somani reveals the behind-the-scenes moments of the cult classic, Teesri Manzil (1966), produce...

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PUCL CONDEMNS: Raids on The Wire’s Editors

The PUCL strongly condemns the raids on the residences and office of senior editors of the news portal, The Wire, in New Delhi and Mumbai, repo...

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On Watching Ponniyin Selvan

Satyabrata Ghosh reviews PS-1, a Mani Ratnam film, and discusses why such alternate content is of prime importance at a time w...

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Eighty Cheers for the Towering Inferno!

Monojit Lahiri pays a personalized tribute to the Muqaddar ka Sikandar, the Shahenshah whose timeless aura and charisma, neith...

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Figuring out Chaddha

An essential quality of cinema is to portray moments that are transitory in human life, writes Satyabrata Ghosh in his take on...

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The Master: A Documentary

Vinta Nanda chats with Khalid Mohamed on the eve of a screening of his documentary film on Shyam Benegal, at the NCPA auditori...

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The Big Evolution

Khalid Mohamed in conversation with Saif Ali Khan, who has grown from yesterday’s ‘chocolate boy’ to an acto...

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Dussehra Diaries

This Dussehra, professionals speak to Monarose Sheila Pereira and share their views on how they connect to the festival.<...

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Here I was born…

Humra Quraishi shares facts about the displacements of one particular minority community of India in the name of development.<...

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