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THE TOWERING TRIUMVERATE & THE TERRIFIC TRIO

Dilip-Dev-Raj or Aamir-Salman-Shah Rukh? Monojit Lahiri invites readers to go for it while he attempts to objectively analyze ...

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K.K RAINA: The Act of Life!

Aparajita Krishna walks down the road, which brought writer, director, actor K.K. Raina, from his homeland Kashmir to Mumbai, ...

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The Comic World Of Pierre Étaix

Vandana Kumar writes: ‘Le Grand Amour’ (The Great Love) 1969 is a French comedy that introduced me to its director...

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THE THESPIAN: SUREKHA SIKRI

Her repertoire of work in theatre in particular and then in television and films is vast, writes Aparajita Krishna

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Fourth Edition of SamaBhav Ends

The fourth edition of SamaBhav, which ended on 22nd August 2022 in Dhaka Bangladesh has so far traveled to 31different cities and 14 Rural Dist...

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The Filmfare Awards: Nothing ‘Fair’ About It

The history of these prestigious awards is a sorry saga of favouritism and cronyism that has deprived deserving candidates time and again. Read More

Curious Case of Libaas

Film historian Dhruv Somani writes on the 1982 film of Gulzar, Libaas, with an outstanding music score by R.D.Burman, which ha...

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LET THERE BE MUSIC

Khalid Mohamed replays a rare interview with Mani Ratnam on the director’s start-off collaborations with the then-freshe...

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IMMORTAL ACTS OF AMJAD KHAN

Aparajita Krishna asks commentators, including his wife Shehla Khan, son Shadaab Khan and daughter Ahlam Khan Karachiwala...

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CONFLUENCE OR CONFLICT: SCREEN V/S STAGE

Monojit Lahiri attempts to explain how the screen and stage reside in two entirely different orbits with the only commonality ...

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