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THE MAGIC OF CHALTI KA NAAM HAI GAADI

Diamonds are forever. So are good movies. Comedy is a tough genre to handle, it requires extreme sensitivity, sense of timing and comprehensive...

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MAJA MA RECEIVES ALL THE LOVE AT KASHISH

Madhuri Dixit and Simone Singh felicitated with Rainbow Voices Awards at 14th KASHISH Mumbai International Queer Film Festival, reports The Dai...

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THE FANTASTIC 27 DOWN BY AWTAR KRISHNA KAUL

27 Down is a 1974 Hindi film written, directed and produced by Awtar Krishna Kaul starring Rakhee, MK Raina, Om Shivpuri and Rekha Sabnis, writ...

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ABOUT THE SONG OF SCORPIONS AND IRRFAN

Irrfan Khan’s only real home was cinema, says Anup Singh.

The story of The Song of ...

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FIFTY YEARS AFTER GARM HAVA

Garm Hava (1974) is undoubtedly the best Indian film to capture the pain of Partition that swept the Indian subcontinent, writes O.P. Srivastav...

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A FIRST DAWN BY SHARADA RAMANATHAN

Vidivaanam (a first dawn) explores a deeper reflection of very basic concern for our very existence through music, movement and verse, reflects...

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'Bust'ing many a myth: B 32 Muthal to 44 Vare (B 32 to 44)

Janaky Sreedharan asks, “How do we talk about a film that foregrounds the bust sizes of human beings ranging from B 32 t...

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DEMOCRACY AND DISSENT

Taking off from Vinod Pande’s latest piece from his YouTube series, ‘Off the Cuff, in which he talks about Rahul Gandhi, Humra Qura...

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KEECHAR VERSUS GULAL

Satyabrata Ghosh analyses the following words spoken by the Prime Minister of India in parliament: “Keechar uskey paas t...

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YET ANOTHER STORY BESIDES PATHAAN

Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale...

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