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MOVIES: BALANCING ART, RECOGNITION & RESPONSIBILITY

Recognizing directors as the artistic visionaries behind cinema, Utpal Datta advocates for their official acknowledgment in fi...

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BUSINESS: HOW INDIAN IS INDIAN ADVERTISING?

As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indi...

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THOUGHT FACTORY: EULOGIES IN THE POST TRUTH ERA

Reflecting on the legacies of Shyam Benegal and Manmohan Singh: Sharad Raj navigates hyperbolic tributes, nuanced critiques, a...

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KALEIDOSCOPE: CELLULOID TO DIGITAL BY V.K. CHERIAN, BOOK REVIEW

Despite the cynical and sceptical times we live in, there are indeed many people who honestly enjoy movies, know the difference between good an...

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POWERFUL PEOPLE: UNTOLD STORY OF SRIDEVI

Discover the untold story of Sridevi through the lens of Amborish Roychoudhury, where passion for Indian cinema meets research, unveiling a leg...

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THE ADDA OF GANGA VIHAR!

Aparajita Krishna dives deep to the not so long history of Ganga Vihar and what it holds together as a past unimaginable and r...

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THE ADDA OF GANGA VIHAR!

Aparajita Krishna dives deep to the not so long history of Ganga Vihar and what it holds together as a past unimaginable and r...

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WHO’S AFRAID OF FILM CRITICS?

Monojit Lahiri does a checkout on the significance of film reviews and how they pan out differently for serious cineastes from...

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SUPREMO

Khalid Mohamed recollects a conversation with the quick-witted Kerala superstar, Mammootty, who’s still going iron-stron...

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APARAJITO: A PARODY MASQUERADING AS A ‘TRIBUTE’

Pandering to the Bengalis’ juvenile fondness for wallowing in nostalgia, Anik Dutta’s film is a monument to artifice. Nothing, not ...

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