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Mein hoon PIO!

Farrukh Dhondy observes Indian media in foreign countries and the hype it creates over events there, however, concluding that ...

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Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

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A Manhattan state of mind

Woody Allen’s ‘Manhattan’ is a 1979 American romantic comedy film produced by Charles H. Joffe, writes Vandana Kumar<...

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Nervous Edges and Hesitant Hands: NAZAR -1989.

I had just passed out of FTII in 1989 and I was on my first feature as the Assistant Cameraman, reminisces Rafay Mahmood

...

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M K RAINA: A salutation and exploration

Again and this one is vast - Aparajita Krishna walks you through the life of social activist and actor MK Raina. So far, so, s...

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Amol Palekar - In a flashback that is very present!

I am often visited by Amol Palekar flashbacks, writes Aparajita Krishna

As time passes by...

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Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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Shibu Natesan: Doing it my way

Khalid Mohamed interviews the eminent artist Shibu Natesan, who has varied from images of political protest to nature studies,...

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Rishi Kapoor: He defined ‘Bollywood Art’

 

I write this tribute to Rishi Kapoor. A legend, a hero, the actor unparalleled and a person who was...

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This Mercurial Man Amit Khanna: Man of 2020

I send him a list of questions by mail and request him to take his time to answer them and I also added to my note, that it’ll be great i...

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