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BEGUM BARVE RETURNS WITH BRILLIANCE

Satish Alekar's landmark Marathi classic Begum Barve receives an accomplished revival under Gaurav Kanekar, proving why this groundbre...

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NO LIMITS: SAYANI GUPTA BREAKS BOUNDARIES

To make up for a briefer-than-brief conversation with her back in 2022 at the wedding of Richa Chadha-Ali Fazal, over to an insightful ...

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WELCOME LOST IN SATIRICAL CHAOS

Lost in the Wilderness of Its Own Making: Arnab Banerjee reviews Welcome to the Jungle, finding a promising satirical premise ...

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HINDI CINEMA: UNDER HOLLYWOOD’S HAT

Khalid Mohamed recalls the impact (and copycatting) of Hollywood cinema and its gossip journals, which inspired countless ente...

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MAA BEHEN STRUGGLES TO BITE

Arnab Banerjee reviews Maa Behen, Suresh Triveni's dark comedy starring Madhuri Dixit, Triptii Dimri, and Ravi Kishan...

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SATYADEV DUBEY: THE MAD GENIUS

Playwright, director, actor, mentor, provocateur and iconoclast, Satyadev Dubey transformed Indian theatre through sheer force...

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SHE WHO TOOK INDIAN CINEMA GLOBAL

Producer and global film strategist Gayathiri Guliani speaks to Vinta Nanda about Indian cinema’s international growth, ...

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DAADI KI SHADI REVIEW ANALYSIS

Arnab Banerjee reviews Daadi Ki Shadi, examining its progressive premise, hesitant storytelling, uneven humour, and N...

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BOLLYWOOD MOTHERS BECOME MODERN MOMS

On Mother’s Day, writer Monojit Lahiri reflects on Bollywood’s evolving screen mothers, tracing the journey from s...

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ANANTH MAHADEVAN AGAINST THE ODDS

In this candid interview with Khalid Mohamed, filmmaker-actor Ananth Narayan Mahadevan reflects on cinema, theatre, rejection,...

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