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KALEIDOSCOPE: CELLULOID TO DIGITAL BY V.K. CHERIAN, BOOK REVIEW

Despite the cynical and sceptical times we live in, there are indeed many people who honestly enjoy movies, know the difference between good an...

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AI & TECH:  IT’S GLOBAL MUSIC FUSION IN VOYAGE 2

Popular Composer and Producer Dhruv Ghanekar Celebrates Collaboration and Cultures in New Album "Voyage 2", reports the #Newsdesk Read More

POLITICS: ACTIVISM FOR EQUALITY AND JUSTICE

In the wake of recent events, notably the controversy surrounding the conferment of the Sangita Kalanidhi award upon TM Krishna by the Madras M...

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POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

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THOUGHT FACTORY: WHO’S BEEN SLEEPING IN MY BED??

Monojit Lahiri investigates how deep is deep in extra-marital journeys, in reel and real life.

BOLLYWOOD TIK-TALK: ALL ABOUT STARS, FASHION, MUSIC

There’s too much going on this week! The Daily Eye #Newsdesk brings to you everything you need to know about what the st...

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AMIT KHANNA’S JOURNEY AS A LYRICIST

 

Shantanu Ray Chaudhuri goes past many of Amit Khanna’s talents and brings fo...

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WOMEN INTERRUPTED

Monojit Lahiri investigates what constitutes the attitude towards women in film industries across the world and why women film...

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On Watching Ponniyin Selvan

Satyabrata Ghosh reviews PS-1, a Mani Ratnam film, and discusses why such alternate content is of prime importance at a time w...

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THE THESPIAN: SUREKHA SIKRI

Her repertoire of work in theatre in particular and then in television and films is vast, writes Aparajita Krishna

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