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CINEMA VERSUS VERTICAL STORYTELLING SHIFT

Vinta Nanda explores how vertical storytelling is reshaping audience behaviour, why independent cinema must build communities,...

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THE REBEL WITHOUT A...PAUSE

Fearless. Disobedient. Rowdy. Bindaas. Playful. Rooted. Real. Sanjay Bhattacharya is a rare artist, forever ready to do a soul...

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INTIMACY & TECHNOLOGY – FRENEMIES??

Monojit Lahiri explores how technology has reshaped intimacy and interpersonal communication, examining generational divides, ...

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BHARATMATA BROUGHT BACK TO LIFE!

Bharatmata cinema hall returns to Mumbai’s Lalbaug, writes Avinash Kolhe, reviving single-screen legacy, Marathi cinema ...

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MOTHER DAUGHTER BOND AND CHANGING DYNAMICS

Today’s Ma–Beti Relationship…Has Buddyhood Replaced Mamta?! Can a mother ever be her daughter’s best friend? M...

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THE CURIOUS CASE OF PRIYADARSHAN

He’s back in the news. After a prolonged hiatus, the essentially South Indian filmmaker is returning to the arena of Bollywood cinema, wi...

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THE ETERNAL CRISES OF FILM SCHOOLS

From Argentina to India, film schools face political pressure, privatization threats, and ideological control. Sharad Raj refl...

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LAST WEEK’S ARTS, CINEMA AND CULTURE PULSE

From Berlinale’s politically charged opening to India’s expanding global presence, theatre movements, advertising crossovers and ne...

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OH CALCUTTA: MEMORIES OF A VANISHING CITY

Khalid Mohamed remembers the ‘City of Joy’, a mahanagar steadily losing heritage, culture, and character, as Calcu...

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BHARAT RANG MAHOTSAV 2026 OPENS MUMBAI STAGE

The 25th Bharat Rang Mahotsav arrives in Mumbai on February 7, celebrating global theatre, folk traditions, music, and literat...

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