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IS FACE FUZZ TRENDING NOW?

Are men really back today, and what does facial hair say about modern masculinity? Monojit Lahiri explores how changing workplace cultu...

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THEATRE AND THE POWER OF INCLUSION

The World’s A Stage And We, The Performers: Sohaila Kapur interviews Anirudh Nair on theatre, Shakespeare, social privilege and B...

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PYRE: A PORTRAIT OF ABANDONMENT

Where the Mountains Stand Witness to Lives Left Behind: Arnab Banerjee examines Vinod Kapri’s Pyre, a moving por...

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AAKHRI RIDE: MUMBAI AFTER DARK

Arnab Banerjee reviews Aakhri Ride, a Mumbai-set short that blends urban noir, dark comedy and supernatural horror while tracing a migrant driver’s d...

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CHEF VINITA GHATGE ON REINVENTION

Sushmita Chowdhary explores Chef Vinita Ghatge’s conversation with Sushma Gaikwad on WMNcomm, reflecting on women’...

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HAS SOCIAL MEDIA HIJACKED STARDOM?

Monojit Lahiri explores how Bollywood’s old-world star mystique has been transformed by social media, celebrity culture and publi...

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THE FIRST FILM: CINEMA, FREEDOM, DESIRE

Cinema transforms the Confined World By Utpal Datta. In Piyush Thakur’s award-winning short, a young girl’s yearni...

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MARG@80 CELEBRATES INDIA’S ARTISTIC HERITAGE

Marg@80: Marching On! By Prof. Dr. Avinash Kolhe explores the legacy of MARG, tracing its contribution to Indian art, architecture and ...

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THE DAY A NEW INDIA CAME HOME

On October 1, 1992, Zee TV opened a new window for Indian television. Karuna Samtani, Zee’s first employee, remembers its pioneer...

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VIBE FINDS COMIC RHYTHM

When Incompetence Becomes Comic Heroism: Arnab Banerjee reviews Vibe, Kunal Kemmu’s action-comedy spy thriller starring Sparsh Srivastava, Preity Zinta and Va...

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