ALTERNATIVE ENTERTAINMENT: GHATAK, JUNG, BRECHT & PARTITION

In this profound essay, writer and filmmaker Sharad Raj explores how Ritwik Ghatak merged Marxism, Jungian ps...

AI & TECH: KEEPING THE STORY ROOTS ALIVE

Immersive technology is revolutionizing storytelling, but without traditional foundations like theatre, music, and live performance, the evolut...

BUSINESS: IS BRANDING YESTERDAY? PASSE? DEAD?

A Radical Take on Branding: Monojit Lahiri endeavours to unravel a new-age, revolutionary, path-breaking philosophy put forth ...

DILIP KUMAR AT 101

Physically Dilip Kumar lived for 99 years (11^th December 1922 to 7^th July 2021). But like a loved and revered ancestor he...

BOLLYWOOD TIK-TALK: AMID MANY THINGS, IT WAS ALSO TEACHER’S DAY!

From Shilpa Shetty Kundra to Rajkummar Rao, Nikhil Bhambri, Pulkit Samrat and Nargis Fakhri, they’re setting standards of all kinds, repo...

KEECHAR VERSUS GULAL

Satyabrata Ghosh analyses the following words spoken by the Prime Minister of India in parliament: “Keechar uskey paas t...

PATHAAN: IS IT A CINEMATIC MASTERPIECE?

Sharad Raj discusses why the film PATHAAN is being celebrated across the country and SRK’s persona and politics.

ABOUT BRINGING GURU DUTT TO BENGALI READERS

Satyabrata Ghosh shares the process it took to translate in Bengali the works of Nishikant Thakar and Arun Khopkar for Guru Dutt: Teen Onker Ek Shokantika....

PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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