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COURAGE AMID MUMBAI'S DARKEST NIGHT

Arnab Banerjee reviews Bharat Bhagya Vidhata, Manoj Tapadia's gripping account of courage during the 26/11 Mumbai attacks, hig...

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WHY INDIAN TELEVISION IS FAILING

Vinta Nanda examines the sharp decline in Indian television viewership, exposing outdated storytelling, stagnant formats, and ...

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KALEIDOSCOPE 2025: WINDOWS INTO A PLURAL IMAGINATION

Across cinema, literature, art, theatre, reportage, pedagogy, and memory, Kaleidoscope 2025 charted The Daily Eye’s comm...

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POWERFUL PEOPLE: JUST DO IT

In a conversation, Khalid Mohamed draws out the eventful life and film adventures of writer-actor-director Amole Gupte...

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BOLLYWOOD: ARYAN KHAN BREAKS BOLLYWOOD RULES

“I am in love with your wife (Maya)!” — a line from Kabhi Alvida Naa Kehna becomes the metaphorical cue for Aryan Khan’...

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ALTERNATIVE ENTERTAINMENT: GIRL, INTERRUPTED BUT UNCOWED

Varsha Bharath’s Bad Girl is a bold, witty, and layered Tamil coming-of-age film that examines a young woman’s chaotic journey of l...

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KALEIDOSCOPE: BREAKING BARRIERS IN BRAILLE LITERATURE

In the culturally vibrant town of Nagaon, Assam, where art and literature blend with daily life, Anjali Mahanta’s journe...

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MOVIES: SUCH A FALL FROM GRACE

Khalid Mohamed, once a cheerleader of Mani Ratnam, is taken aback with Thug Life, the auteur’s fall from grace. “M...

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POWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY

Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N...

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FESTIVALS: WATERFRONT INDIE FILM FESTIVAL BEGINS

The inaugural event of the Waterfront Indie Film Festival launched in Mumbai’s Aram Nagar, uniting filmmakers, industry experts, and cine...

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