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POWERFUL PEOPLE: NOT A MAN’S WORLD ANYMORE

Huma Qureshi, who believes that Mumbai’s show business isn’t a man’s exclusive world anymore, has belted out...

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RETROSCOPE: THIRTY YEARS AFTER...TIME FLIES

  Khalid Mohamed revisits Bandit Queen (1994), Shekhar Kapur’s film on the dacoit leader Phoo...

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KALEIDOSCOPE: THE ONE-WAY SHIPS IS A STIRRING DEBUT

A powerful debut, The One-Way Ships unearths the forgotten voices of colonial India’s ayahs—young girls torn from home, na...

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RETROSPECTIVE: CINEMA, CONSCIOUSNESS AND TIME

Exploring Shumona Goel’s experimental cinema through fragmented time, sensory aesthetics, and urban modernity, this analysis connects her...

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GENDER: CIVIL SOCIETY DEMANDS KERALA FILM REFORMS

Eminent civil society members, including activists, authors, and journalists, appeal to Kerala's Chief Minister for immediate action following ...

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ACHIEVING CULT STATUS: MASSEY SAHIB

O.P. Srivastav brings Raghubir Yadav and Arundhati Roy's celebrated debut Massey Sahib, a 1985 Hindi drama, adaptation of Joyc...

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A MAN FROM MOTIHARI: ABDULLAH KHAN

\Aparajita Krishna writes, “The Boy of ‘Patna Blues is now A Man From Motihari!”

DIVYA SETH SHAH: Actor for a Lifetime!

Aparajita Krishna is in this free-wheeling conversation with actor Divya Seth – packing her life, friends, family and ca...

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Right at the Centre: Anuradha SenGupta

Anuradha SenGupta’s introduction of herself as a professional, best summarizes her writes Aparajita Krishna  Read More

SMM AUSAJA: Keeper Of Our Cine-Heritage & Memorabilia

SMM AUSAJA, our man in the frame, deserves not just this mere article, but perhaps books on him writes Aparajita Krishna.

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