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TANUJ GARG: LEAP OF FAITH

In this exclusive interview, Khalid Mohamed speaks with Tanuj Garg about his remarkable journey from corporate executive to ac...

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MIRZAPUR MOVIE REVIEW: BIGGER, BLOODIER

Arnab Banerjee reviews Mirzapur: The Movie, examining its ambitious leap from streaming to cinema, Pankaj Tripathi’s com...

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MUMBAI ARCHITECTURE THROUGH HERITAGE

A Well-researched Look at Mumbai’s Architecture By Prof. Dr. Avinash Kolhe explores the city’s remarkable architectural evo...

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INDEPENDENT CINEMA CROSSES GLOBAL BORDERS

At the Independent Waterfront Film Festival 2025, Rashmi Lamba moderated a compelling conversation on co-productions, legal fr...

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THE DEPARTURE OF COLOUR

The Departure of Colour, Line, and Silent Melodies is a moving tribute to master artist Narendra Nath Das, whose poetic modern...

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REBUILDING CONFIDENCE AFTER CAREER BREAKS

Women returning to work after career breaks can rebuild confidence through practice, volunteering, honesty, transferable skills, and small step...

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WOMEN FACE A DIFFERENT LEADERSHIP CLOCK

Experience should open doors, not close them, regardless of gender. Sushmita Chowdhary examines why women’s leadership potential ...

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UTTAM KUMAR: BENGAL’S ETERNAL MAHANAYAK

Forty-six years after Uttam Kumar’s death, Bengal’s Mahanayak remains unmatched. Monojit Lahiri revisits his enduring stard...

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WELCOME LOST IN SATIRICAL CHAOS

Lost in the Wilderness of Its Own Making: Arnab Banerjee reviews Welcome to the Jungle, finding a promising satirical premise ...

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WHY MOTHERS ECLIPSE FATHERS DAILY

Monojit Lahiri explores why Mother’s Day commands greater emotional resonance than Father’s Day, exam...

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