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THE JOY OF UNEXPECTED DISCOVERIES

At MIFF 2026 last month, Vinta Nanda discovered three extraordinary student films from Whistling Woods International that reaf...

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ATUL KASBEKAR: SO CLOSE TO LIFE

Atul Kasbekar, eminent high-glamour photographer, has achieved the impossible. Contradicting his trademark glossy style, he ha...

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JIMMY SHERGILL: A CLASS ACT, ALWAYS

An intimate, insightful portrait of Jimmy Shergill—an actor of rare restraint and integrity—by Khalid Moha...

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RETROSCOPE: MAN WITH THE GOLDEN GUITAR

Khalid Mohamed replays the life and oeuvre of Van Shipley, who was a formidable name once, but has never been acknowledged in ...

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RETROSCOPE: VILLAIN WITH GOLDEN HEART

Pran Krishan Sikand, the unforgettable screen villain, was in real life a warm and generous neighbour. Monojit Lahiri recalls ...

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BOLLYWOOD: FEAR AND A MOTHER'S RAGE ONSCREEN

Kajol leads a chilling tale of myth and motherhood in Maa, a supernatural thriller where folklore, family, and fear collide—yet ...

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THOUGHT FACTORY: CENSORSHIP, CINEMA, AND THE COST OF CONSCIENCE

A searing conversation between filmmaker Vinta Nanda and journalist Anna MM Vetticad on censorship, complicity, and conscience...

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ALTERNATIVE ENTERTAINMENT: THE GENTLE GENIUS

Cinema, at its purest and most soul-stirring, found a devoted servant in Shaji N. Karun. Khalid Mohamed bids farewell to the g...

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KALEIDOSCOPE: BOLLYWOOD MOVIES WERE MY TEACHERS

A personal journey from street performances and film posters to poetic storytelling, Utpal Datta traces how an unexpected ques...

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ALTERNATIVE ENTERTAINMENT: REIMAGINING 12 ANGRY MEN

Srijit Mukherji’s Shotyi Bole Shotyi Kichhu Nei reinvents 12 Angry Men with a fresh, outdoor setting, gender perspectiv...

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