ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION

Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...

KALEIDOSCOPE: WHY DON’T THEY GET IT?!

KALEIDOSCOPE: WHY DON’T THEY GET IT?!

"An honest reflection on the peculiarities of...

THOUGHT FACTORY: WHO’S BEEN SLEEPING IN MY BED??

Monojit Lahiri investigates how deep is deep in extra-marital journeys, in reel and real life.

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I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

The Comic World Of Pierre Étaix

Vandana Kumar writes: ‘Le Grand Amour’ (The Great Love) 1969 is a French comedy that introduced me to its director...

Gehraiyan – Yes or No?!

Monojit Lahiri investigates how deep is deep in extra-marital journeys, in reel and real life.

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Ma Tujhe Salaam!

A cursory look will reveal to you just her outer sheen - a talented, smart, confident woman, full of laughter a...

The Discreet Charm of the Bourgeoisie

Sharad Raj writes that Bunuel has been called a cruel filmmaker, he sees that we are hypocrites, admits to being one and belie...

Satyajit Ray: 10 Great Sequences

The films of Satyajit Ray have provided us with iconic moments that celebrate the many hues of life, all shot w...