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ALTERNATIVE ENTERTAINMENT: THE FILMMAKER, THE ETERNAL SEEKER

As it completes a 50-day run, Shantanu Ray Chaudhuri looks at Srijit Mukherji’s Padatik and how it stands out in the bar...

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TRENDING: ART, NATURE, AND WOMEN EMPOWERMENT

Cosmic Heart Gallery’s 'Eye of the Tiger' exhibition blends art with conservation, coinciding with a pivotal Women Entrepreneurs Committe...

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POLITICS: COMMUNAL DIVIDES URGENTLY CALL FOR UNITY

Political rhetoric and divisive tactics are exacerbating India's communal tensions and impacting daily life. Let’s find out how history, ...

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POLITICS: COMMUNAL TENSIONS AND THE MUSLIM IDENTITY

An examination of the increasing communal divide in India, focusing on the rising threats to the Muslim community's identity, safety, and digni...

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ALTERNATIVE ENTERTAINMENT: LOOKING FOR THE MAHANAYAK

Srijit Mukherji’s Oti Uttam is a film hard to dislike. And no, it’s not just Uttam Kumar who is responsible for that, writes Read More

BOLLYWOOD: REMEMBERING MR CHARMER SHASHI KAPOOR

Monojit Lahiri figures out the several reasons behind Shashi Kapoors’ subsequent success across the sixties, seventies a...

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KALEIDOSCOPE: THE MUSICAL MAVERICK BY ASHIS GHATAK

Vinta Nanda talks to Ashis Ranjan Ghatak, biographer of ‘The Musical Maverick: The Authored Biography of Shankar Mahadev...

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KALEIDOSCOPE: BREATHING LIFE INTO A SONG

Tarali’s musical experiment with Anup Baruah is what Utpal Datta visits this week to explore what it took the singer, ly...

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THOUGHT FACTORY: IS SHE ACCURATELY PORTRAYED BY AD-LAND?

Monojit Lahiri does a checkout of what’s going on in ad-land and how much it has evolved (or not?!!) to accommodate toda...

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BOLLYWOOD: THE GIANT CALLED RAHUL RAWAIL

The box office failure of Dacait was perhaps the single biggest reason for Rahul Rawail to never be the same filmmaker again. He tried coming b...

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