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POLITICS: THE DISTURBING RISE OF LYNCHING

How many more lives will be taken in the name of beef? The unchecked violence, fuelled by communal hatred and political backing, demands immedi...

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LIMERICS AND THE TROUBLED TIMES OF FASCISM

Humra  Quraishi writes about Khushwant Singh, who was far sighted and told her, before he passed away in 2014, that he wa...

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BEHIND THOSE TALL WALLS

Humra Quraishi recalls the words of Khushwant Singh in trying to understand the nature of the chaos that communal politics in ...

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VANISHING WORDS

Today, Humra Quraishi talks about why she will pray namaz but will not celebrate Eid.

I&r...

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RAHUL GANDHI: FROM A YOUNG MAN TO A MATURE LEADER

Humra Quraishi revisits a book she co-authored with Khushwant Singh and highlights what the great journalist and author had sa...

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When Atul Met the Movies

Khalid Mohamed in conversation with India’s prime, contemporary artist, Atul Dodiya, on his unbreakable bond with art an...

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Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

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Evolution of Pakistani Comedy TV Shows – Part 1

Shafiq Siddiqui walks you through a few comical and satirical TV shows that aired on PTV from the 1960s to the 1980s.

Sign of the times: This is the darkest hour

Humra  Quraishi revisits her conversations with Saira Banu and Khushwant Singh, both of whom had predicted that the times...

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Where there is no will, there is violence

Humra Quraishi talks about how polarisation in grassroots India, by the use of state machinery...

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