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BOB DYLAN’S IMMIGRANT LAMENT STILL HAUNTS US
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KALA GHODA ARTS FESTIVAL 2026: AHEAD OF CURVE
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WHEN INDEPENDENT FILMS FIND THEIR AUDIENCE
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HOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION
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SHOBHAA DE STRIKES AGAIN, AGE HAS NO LIMITS
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JIMMY SHERGILL: A CLASS ACT, ALWAYS
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WHEN ASHISH VIDYARTHI TURNS MEMORY INTO THEATRE
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ECHOES ON PAPER: CRAFT, MEMORY, CONTINUUM
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STAY ROOTED AND LET STORIES FIND YOU HOME
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WHY ARCHIVING CINEMA MATTERS: NEVILLE TULI
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BOB DYLAN’S IMMIGRANT LAMENT STILL HAUNTS US
In this searing cultural meditation, Khalid Mohamed revisits Bob Dylan’s protest song on migration, lin...
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KALA GHODA ARTS FESTIVAL 2026: AHEAD OF CURVE
Mumbai’s iconic Kala Ghoda Arts Festival returns for its 26th edition, transforming public spaces into ...
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HOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION
When marketing noise replaces footfalls and perception trumps participation, Indian cinema risks hollowing itself out. The growing gap between ...
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SHOBHAA DE STRIKES AGAIN, AGE HAS NO LIMITS
WARNING! DANGER AHEAD FOR - THE PRUDISH PURITANICAL…SHOBHAA DE STRIKES AGAIN!! Monojit Lahiri offers personalized observations on the un...
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JIMMY SHERGILL: A CLASS ACT, ALWAYS
An intimate, insightful portrait of Jimmy Shergill—an actor of rare restraint and integrity—by Khalid Moha...
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WHEN ASHISH VIDYARTHI TURNS MEMORY INTO THEATRE
An intimate evening at Seagull Studio where Ashish Vidyarthi transforms personal memory into performance, revealing the power of storytelling, ...
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STAY ROOTED AND LET STORIES FIND YOU HOME
From Old Delhi memories to Mughal-era storytelling traditions, Paayal Nair’s personal journey finds renewed purpose thro...
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WHY ARCHIVING CINEMA MATTERS: NEVILLE TULI
A wide-ranging conversation on archives, cinema, and cultural consciousness, where interviewer Vinta Nanda engages Nev...
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SUCHITRA SEN: THE STAR WHO CHOSE SILENCE
On her 12th death anniversary, Monojit Lahiri recalls the mystique, magnetism and unmatched romance of Suchitra Sen—Beng...
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REVIEW: HAPPY PATEL - KHATARNAK JASOOS IS BIG ON INTENT, LIGHT ON LAUGHS
The actor-director’s spy spoof aims for absurdist satire but collapses under stereotypes, scattered themes, and overextended gags, despit...
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