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ALTERNATIVE ENTERTAINMENT: CRAFTSMANSHIP AND FORM

Towards the non-bourgeoise tales from screen and stage: Amar Singh Chamkila and Lavani ke Rang are explored here by filmmaker Sharad Ra...

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TAMAS: THE LIGHT OF TAMAS

Aparajita Krishna writes,35 years after it lit India’s television screen and cinema, I am herei...

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Geetanjali Kulkarni: 25 years an Actor

Aparajita Krishna views actor Geetanjali Kulkarni’s life and career through the prism of her cutting-edge work in theatr...

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Hard Day’s Night

Film historian Dhruv Somani, clocks into Bollywood films, which were set in a tension-packed time frame of 24 hours.

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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Of Epic Tales: Movie mythological of yore

Film historian, Dhruv Somani, takes you back to the time when the mythological genre captivated film audiences

Vanished III: The male actors who disappeared from Bollywood

Film historian, Dhruv Somani, concludes his series on t...

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Why India lags behind in vaccinating its Children?

A new study by the World Health Organization called Explorations of inequality: Childhood immunization, launche...

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Google @ my First Address in Life and its Fruity Lychee taste: MUZAFFARPUR

I have changed many addresses in life as an itinerant. When I click life@57, it is my first address in life and...

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