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TANUJ GARG: LEAP OF FAITH

In this exclusive interview, Khalid Mohamed speaks with Tanuj Garg about his remarkable journey from corporate executive to ac...

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BOLLYWOOD AWARDS REWARDS BOX OFFICE

Why do acclaimed performances rarely translate into commercial opportunity in Hindi cinema? Monojit Lahiri explores the divide between ...

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NOT QUITE FAMILY REVIEWED BRILLIANTLY

Sushil Poddar explores Khalid Mohamed’s Not Quite Family, an unflinchingly honest journey through Bollywood’s myth...

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INDEPENDENT CINEMA FINDS ITS AUDIENCE

At WIFF 2025, Kabeer Khurana, Deepa Gahlot and Siddharth Kak examined independent cinema, technology, exhibition, audiences an...

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FILM CRITICS SHAPE INDIAN CINEMA

Film Critics And Indian Cinema…Perfectly-Unmatched!? India, the world’s largest film-producing n...

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IT’S A CONSTANT BATTLE – RAHI ANIL BARVE

The creator of the belatedly lauded Tumbbad, Rahi Anil Barve, who continues to be a warrior for the cause of experime...

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BHARATMATA BROUGHT BACK TO LIFE!

Bharatmata cinema hall returns to Mumbai’s Lalbaug, writes Avinash Kolhe, reviving single-screen legacy, Marathi cinema ...

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DELHI RECLAIMS CINEMA AND CREATIVE DIALOGUE

Anchored by Artistic Director Vani Tripathi Tikoo’s powerful reflection, IFFD 2026 marks Delhi’s cultural resurgence through independent cinema...

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DELHI FESTIVAL CHAMPIONS INDEPENDENT CINEMA

The International Film Festival of Delhi 2026 launches a dynamic platform uniting mainstream and independent cinema, featuring WIFF Mumbai coll...

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THE ETERNAL CRISES OF FILM SCHOOLS

From Argentina to India, film schools face political pressure, privatization threats, and ideological control. Sharad Raj refl...

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