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THEATRE AND THE POWER OF INCLUSION

The World’s A Stage And We, The Performers: Sohaila Kapur interviews Anirudh Nair on theatre, Shakespeare, social privilege and B...

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PYRE: A PORTRAIT OF ABANDONMENT

Where the Mountains Stand Witness to Lives Left Behind: Arnab Banerjee examines Vinod Kapri’s Pyre, a moving por...

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DIWALI IS SERVED WITH LOVE

What Does It Mean to Eat Sustainably During Diwali? Diwali is as much about food as it is about light. Exploring India's rich ...

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AI, ART AND THE HUMAN RIGHT TO CREATE 

Vinta Nanda explores how AI can transform filmmaking without erasing human creativity, artists...

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BIRDS IN THE DARK REVIEW

A luminous tale of souls in search of light. Saibal Chatterjee’s review explores Shashank Walia’s evocative directorial deb...

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DURGA PUJA: FAITH MEETS COMMERCIALISM

Monojit Lahiri examines how Durga Puja has evolved from an intimate religious celebration into a high-profile spectacle shaped...

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ANURAG CHAUHAN: YOUNG BODY, OLD SOUL

In this conversation with Sohaila Kapur, social worker Anurag Chauhan reflects on menstrual hygiene, education, transgender inclusion, ...

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THE DAY A NEW INDIA CAME HOME

On October 1, 1992, Zee TV opened a new window for Indian television. Karuna Samtani, Zee’s first employee, remembers its pioneer...

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HRISHIKESH MUKHERJEE AND EVERYDAY CINEMA

Remembering the timeless creator of…BABUMOSHAI, on his 104th birth anniversary: September 30th! Monojit Lahiri pays homage to th...

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TELEVISION ACTORS NAVIGATE CHANGING SCREENS

Only Women Panel Explores the Changing Screens and the Journey of Television Actors from Television to OTT. A Mumbai discussio...

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